Expect the Unexpected

My second reporting shift at KOMU went terribly wrong.  To start off, my story would not take off the ground.  Earlier in the day it was heard that General Motors was planning on closing some of its factories seven weeks longer than usual.  I had the idea to localize the story and focus on the ripple effect it would have on local GM dealerships.  Boy was I wrong when I realized no one really wanted to talk with me.  I called over 15 dealerships in the area and the managers were either gone for the day or did not want to talk with me.  I was very shocked because in my mind, I wasn't doing any type of controversial story.  Here was a platform for them to give their opinion about the larger company and what effect they believed it would have on their local dealership.

One man did talk to me off the record and commented that he wouldn't talk to me because he didn't like all the bad press that the American auto industry was receiving.  "I have customers that come in happy to buy a new car, and then come in the next day depressed about it because of all the bad things they hear in the media," he commented.  While this was only one person's opinion I had never even considered that was the reason why no one would talk to me about the plant shut-downs.  As a young reporter, I think it's so easy to focus on the smallest picture of your single story.  Sure you think about being balanced and making sure everything is technically done, but I often forget the impact I will actually have on people with my stories.  I forget that so much of this world is culturally shaped by what people see on the television.  As a reader, I too get angry at the continuous negative coverage I see of the auto industry in the Detroit Free Press, but as a journalist, I was just focused on getting my story.  I'm not writing this to say I wouldn't do the story because I would have if it had become available, but I also think it's important to think about the impact stories have on the community.  I have to balance my roles as journalist and citizen to get the best stories around!

My focus this week is to watch some great storytellers and see what they do that I can apply to my own writing.  We read Wayne Freedman's book almost every week, but I forget that he's an actual working journalist, not just some guy that writes textbooks.  This week I decided to seek some of his stories out to see what he does to make them so captivating and to the point.  One of my favorites was about Stanley the cat.  Coming from a city like Detroit where if it bleeds it leads, I was reluctant to watch a story about a cat stuck on a telephone point because it basically sounds boring.  However I remembered that it was a Freedman story so I knew he would make it great.  To start, I was surprised by his use of a live shot.  In my mind, live shots are for taking viewers to news as it unfolds.  But here we were with a live shot of a cat stuck up a telephone pole.  His use of natural sound was also amazing.  I don't think he spoke for more than two lines without some sort of natural sound of the cat or neighbors comments.  Finally it was the way he built the story around Stanley.  Think about it, he could have summed it up in a couple of sentences: "Stanley the cat belongs to Judy, and she says he gets stuck up a pole at least once a week.  He's stuck there again today."  Instead, he gives you a look into his personality, some history, and of course, remarks by people who can actually speak to make the viewer feel like Stanley is their own neighbor's cat.  I really like this humanized aspect of his stories and I think they make for more excitement and enjoyability.  

I also liked his story about the Fuller brush salesman.  This story seemed to use every wonderful journalism tool that we have been taught: natural sounds, an inquisitive stand up, a golden nugget (surprise) in the middle of the story, and a clear and focused story line.  Norman is a door to door salesman with a career that is obviously about a decade outdated.  Although this is his day job, he also enjoys acting on the side.  This story flows so naturally, I would forget that I was watching the news and not a program about ordinary people living their lives.  I think this type of journalism is amazing because you get great stories out there but you're still using your journalism fundamentals.  I didn't see the newsworthiness aspect in this story as much, but I definitely saw the goal of telling ordinary people's stories come to life in this example.  I know that even Freedman didn't wake up telling the types of stories he tells today, but he is certainly an inspiration to all storytellers out there, regardless of medium. 

Tea Tax Parties

I completed my first reporting shift at KOMU last week and for the most part, it was a success! Even from only having been there one day, I learned so many lessons on what works and what does not. From the beginning, I was assigned a story that was 1.5 hours away. A three hour commute will really cut into your editing and writing time. I arrived back at the station around 8 pm and had my script approved by 9 pm. But my computer had to be restarted and it took a very long time for my video to load in. Unfortunately, I didn't make the ten o'clock newscast. Although I was disappointed, it really taught me to expect the unexpected and to be able to work tightly under pressure and on deadline. I hope that my next story is not as far away because that crunch was not fun, but I understand it is a part of the news business.

The story I covered last week was about a Tax Tea Party that took place in Camden, MO, but was one of hundreds that took place all over the country. I was unfamiliar with the tea parties, and luckily, the one I covered was small in comparison to the 5,000 that came out in cities like Washington D.C. I enjoy watching stories on Newsy.com and one of them was actually about the media coverage of the national tax tea parties on April 15th. I was shocked at the controversy that surrounded JUST the coverage!!! Watching this report (http://www.newsy.com/videos/media_tea_party_brew/) reaffirmed that I have to be extra careful when covering protests, social issues, and anything controversial and that my tone is extremely important in the way my stories will be received. A guest speaker a couple of weeks ago made the comment that there is no such thing as completely objective reporting because we all come into this business with our individual backgrounds and preconceived notions. The most important thing is to acknowledge these factors and to make sure people double check your work. There will be some stories I cannot cover because of my culture and ideals, but there will be more that I will have to step outside of myself and be as objective as possible. One CNN reporter clearly was upset with the tax tea parties, and on the same page, the protesters were clearly very upset with her presence as well (they considered her the liberal media). She lost control and she lost her cool. The most important thing I can do is remember my surroundings and to remain in control of my situation. I can't control what people around me say, but I can control the way I act in a situation and the way I choose to cover it.

The Need to Become More International

Our guest speaker from Al Jazeera International pulled my curiosity to the complete other side of the world to see their perspectives on current events of the world. The first thing that caught my eye on the homepage was the amount of international news that was available to users. I understand that this is an international station by definition, but I feel even our international stations (like CNN for example) fail to give a real perspective of what goes on beyond the U.S. and Europe. The site features more coverage of outside news than it does for news in its own area (Middle East). The current coverage is really focusing on the protests in Thailand. In comparison to the front news on CNN's international home site, it focuses on the pirates that captured a U.S. captain, a boating accident in Florida, Farah Fawcett's battle with cancer, and a side blog about Thai's government. While I understand that a news organization must cater to its audience, I also believe that it's important to give an audience what it needs. Too many U.S. citizens have little to no knowledge of international current events, and after taking a glance at these two sites I understand why.

I completed my second VO Patrol this past week and it was closer than the last one, but unfortunately not my idea. I covered Congressman Blaine Luektemeyer's visit to Columbia, in particular his trip to the food bank. The nice thing about VO Patrols is that you don't have to think about what you say in your stand up or getting an enourmous amount of shots because you only have about 45 seconds to fill and you are completely the photographer with the exception of when you conduct interviews. The food bank was great with letting me film what I wanted and having enough variety inside to get some great shots. The one major limiting factor was the light inside of the board room and the lack of light from my camera because the light went out.

From this shift, I know that I still have to do a better job of focusing my pictures and interviews. When I look in the small screen the picture looks clear but when it actually appears on television, a lot of times it is very soft. Over the weekend I took the time to go into KOMU and just play with the camera. I found the peaking button and practiced getting various shots into focus. I'm excited and nervous about my first reporting shift this week. It will be great to see my work on air but I'm nervous that I won't be able to think of a creative stand up or that something crazy will happen to my footage. Being at KOMU thus far has shown me that we are all dependent on each other, but at the end of the day, you have to cover your own actions. We have the liberty to shoot what we feel we need, but it's important to be able to explain every shot you take. Next week should be very interesting.

Networking Sites and the Media

Facebook, Twitter, and even the less popular MySpace are not only social networks, but tools that media outlets are using to reach larger audiences and expand demographics. The American Journalism Review featured an article entitled Networking News by Arielle Emmett in the Dec 2008/Jan 2009 issue. Media companies are not only using the sites to spread stories and gain audiences, but also to get users to join their "fan communities" (such as groups and the use of fan pages). This allows more interaction between users and the companies, and friends of the users to see their activity and possibly start following that media company as well. Traditional media such as the newspaper or broadcast news only allow one way communication from the paper or station to the audience. With the exception of letters to the editor or calls to the news desk, there usually isn't a way for the audience to have a say in the disseminated news. But the influx of online interaction is causing a boom for traditional news. The New York Times online traffic grew from 14.6 million visitors in September 2007 to 20 million one year later according to Nielson Online. In what other medium with the current state of news would you see such growth?
One concern brought up in the article was the possibility of fragmenting the news industry even further with these networking/social sites. Although traditional news outlets can reach more people with the sites, how much loyalty is built with them? Brady of the washingtonpost.com suggests that columnists start their own social pages and fan communities to build loyalty and readership in the online communities. If users become attached to the writer or reporter as a person, then he/she might be more likely to follow their work and expand with more work with the entire company. I use Facebook for social purposes, but this article brought to my attention a completely different side of the networking sites. It seems that everyday a different aspect of the Internet changes the way we get our news. Channeling these sites to work for traditional outlets and maximizing advertising will be the next step in changing the news process as a whole.
In my own newsgathering process, I completed my first VO Patrol shift at KOMU last week. I came in with ideas for reporters but didn't have anything I thought would be good for myself. That was a mistake I hope to never make again. Having your own idea that interests you will make your writing and newsgathering process better. I drove to the capitol to cover a house bill that would take away the power of the governor to appoint certain positions, but would give the voting power to the people. At first I was very dubious of going to cover what seemed to me like a pretty complex topic for a very small time slot. I was also nervous about using the new cameras and making it back in time. I surprised myself by both adapting well to the new camera and being organized with my both my gathering and production processes. The thing I learned most from this experience is the importance of having your own story idea, regardless of how small your story is.

Detroit Free Press Goes Digital

Papers all over the country are scrambling to find ways to cut costs and remain in business during these difficult economic times. The Detroit Free Press has been a pioneer in the newspaper industry for a long time, so it was no surprise to me when it took an innovative approach to continuing the dissemination of daily Detroit news. Starting today, the Free Press will only deliver actual papers on Thursday, Friday, and Sunday (http://www.freep.com/article/20090329/FREEPRESS/903290365/1199/PRINT/On+eve+of+change++we+thank+readers). On the other days, there is a website that subscribers can get their news from. Readers can also get the paper through regular mail and at newstands and stores.
When my grandparents first heard the news, they were furious! For as long as I have known them, neither one starts their day without a cup of coffee and reading the paper cover to cover. The elderly population was one of the most vocal about the dislike in the transition. Even as a person from a much younger generation, I must admit there is something about picking up a paper in the morning and having something I can read in between classes or during meals. The issue of online journalism has been a consistent concern in many of my blog posts, but this is one of the few examples of an entire media outlet going online in a major way. I took a look at the paper today, and I admit, it looks exactly like the actual Free Press and is very easy to navigate, but it doesn't have the same feelings as holding an actual paper. I also wonder what will make readers subscribe to this new site when they can still get the news for free? For those who are loyal to the paper and care about it being in business, I think some of that population will pay the money. But for the remaining people who are forced to go online anyway for the news, will they actually be willing to pay more for the same news in a different layout? My mind tends to think this won't be the case.
Detroit is one of the few cities to have two daily newspapers still in existence. I am curious to see what changes the Detroit News will make, if any. It will be THE daily paper on days when only the online edition is available for the Free Press. I am excited that this paper has found a way to remain afloat while still providing news content to interested readers, but the question in the back of my mind is whether this will just stall time until the inevitable. How long will our city remain a two paper town, and will the online edition even reach the dwindling audience that continues to get news from their local papers? I definitely think this is innovative, but I'm unsure on how local Detroiters will receive this new paper, and if the online edition will create any much needed revenue for our local newspaper.

How Far is Too Far?

As the Kwame Kilpatrick saga comes to an end with the final consequences for Christine Beatty, it forced me to think as a journalist about the vast coverage that surrounded the affair. As both a student journalist and a citizen of Detroit, I had mixed feelings about the entire situation. I watched the stories, text messages, and continuous police investigation take place over the beginning of 2008 and come to end with Kilpatrick ending up in jail. I read the reports of how his family couldn't go anywhere without the press following them around and asking questions about their affairs. I felt saddened that one family would have to endure so much, especially the children, but also remembered the role of journalists during any kind of affair with a public figure.

One of the last major players in the case to be tried was Christine Beatty, one of the former mayor's top aides as well as the woman he was involved with outside of his marriage. The coverage of her was not as expansive as the mayor's, but even her hearing for a possible release early from jail was covered live on the Detroit Free Press' site. A legal hearing is open to the public but, there were stories of news crews outside of their homes for 22-24 hours a day. At what point do journalists invade someone's privacy beyond a professional measure? I know this is a dicey situation and I would never want to take a side on the matter, but I think many citizens had the same idea throughout the saga. Can a public official's child go to school without running the risk of being followed by the press? And is it really the goal of journalism to document a spouse in the grocery store while he/she shops? This scandal brought a lot of those questions to my mind, and reading an article about one of the final prosecuting steps for Beatty rushed back memories of the stories and coverage over the summer. At what point do we overstep the line between journalism and the invasion of true privacy?
http://freep.com/article/20090316/NEWS01/90316004/Beatty+++I+m+ready+to+go+home+

Papercuts...Is TV Next?

It's scary to watch the number of employees (it's not just writers, also drivers, editors, delivery people, etc.) being laid off by newspaper companies. I was intrigued by a recent article in the American Journalism Review about the astonishing number of jobs that disappeared in 2008. There were more than 15,000 jobs cut, with an estimation of half of them being journalists. It makes me wonder who will be the watchdogs of the government, the storytellers of the average person, and the people who report the emergencies of the world. I understand that newspapers are archaic in that they report yesterday's news. But I believe there's something in reading material that has been fleshed out and includes accurate details.

The article had a link to a map that showed a breakdown of the number of lost jobs in 2008 (http://graphicdesignr.net/papercuts/). I was surprised that so many jobs have been lost in the midwest. So when will television jobs see the cut as well? As more people go online to get their news, even the 10 o'clock shows are becoming outdated.  It was sad to read about people like Joe Grimm (from my hometown of Detroit) who was a recruiter for 18 years and left his paper after a buyout was offered.  It's true these past columnists have great writing skills that can transfer to different areas, but if reporting is your passion, won't your skills best serve the public in that capacity?  I don't think the American public truly understands what it does when it doesn't read the daily newspaper.  It's hard to separate the line between the job loses due to a struggling economy and actual changes in the news-gathering process.  

I think that in the next decade there will be a switch to online broadcasts and a cut in the number of news shows.  The days of tuning in at 5, 6, and 11 are quickly ending.  I think it's more likely that there will still be the night newscasts, but more of an always updating newscast on the Internet for viewers.  I also think smaller markets are going to do better than larger markets because there's less competition for it.  In areas like New York, Chicago, and LA, their news is basically national news.  However, for smaller markets like Saginaw, Michigan or Sioux Falls, South Dakota, local residents will not get their news unless local people report it.  The changes are scary to watch but I believe honest, accurate journalism will come out on top as it always has.  The form may just be different than we're used to.

How to Cover Controversy

I set out to Jefferson City around 3:30 for a four o'clock open house with the City Council for my story. It was about an ordinance the city is trying to pass that would require residents to pay a fee of about $15 for weekly trash and recycling pick up. I figured I would go to the meeting, get some bites with the City Council, and find a family I could interview later about their recycling habits. I was shocked to get there and observe so much opposition and controversy over the ordinance.
There were other journalists there but I know I was the youngest. Maybe people didn't understand that I was a journalist or what the profession of journalism is about, but I continuously got questions about my feelings about the ordinance. I became very self-conscious about my gestures, my "um-hmms" and nods, and even my facial expressions. It was the first time I consciously had to remember to stay neutral besides the times I covered the election back in November. I'm always aware not to eat food at an event or take free promotional products, but it was my first time covering something that people were so passionate about on different ends of the spectrum. It was a great learning experience and gave me a taste of what my world will always be like in a few years.
The biggest drawback in gathering this story was my lack of time. I brought the camera back almost 1 1/2 hours late, and still didn't get everything I needed. Being a one woman bandstand is making me a sharper journalist in terms of shooting exactly what I need and learning to edit in the process of gathering as well. I didn't get all the interviews I wanted and I would have shot more, but I am glad that I am learning how to juggle the many different things I have to do as a journalist. This class is about learning and growing. When I get back and feel that I've learned a great lesson, even when I don't get or do everything I would have liked to, I feel like it's time well spent.

Great Use of Graphics

I was on CNN.com last night searching for commentary and feedback about President Obama's first address to the nation. While I was looking, I ran across an interactive map that allowed you to look at the unemployment rates, foreclosure rates, and jobs by industry in states across the country (http://www.cnn.com/SPECIALS/2009/map.economy/index.html). By dragging your mouse to each spot on the map, the statistics for that state appeared. It was a fast way to learn some great information and truly see the economic trouble this country is in.
What I liked most about the map is that there were also individual stories for the statistics as well. It wasn't overwhelming like 5o different stories for the 50 different states, but just a few sprinkled in that humanized the map immensely. Not only did I have something with hard numbers that gave me perspective, but also a story from someone who could be my neighbor or the father of a fellow classmate. There was only a blurb that described his/her situation, and the viewer had the opportunity to click a link for more details or to just stick with the blurb and move on. I thought to myself, "This is the perfect example of interactive and useful journalism."
I think we as journalists get so nervous now with the turn of technology and the state of the market which is understandable. But just think, five years ago a graphic like this would have been unimaginable. It's scary to think what jobs will be left in the journalism field in a decade, but it's more exciting to think about the better stories we can tell with the newer technology and the more people we can touch with them. I'm one of those weary journalism students who worries if a job will even be available when I graduate, but I'm excited that technology is allowing me to tell my stories better. Learning how to use it is another story, but we'll worry about that another day.

Treading Tricky Waters with Political Cartoons

My grandmother and I talk almost every week, well at least we did until I started Broadcast 2.  Last night I was fortunate to have some free time to talk with her, and we talked about the recent problems that political cartoonists have been having with drawing President Obama due to his race.  Political cartoonists have always exaggerated the features of politicians in order to make fun of them or sometimes symbolize something greater in their policy making or political decisions.  Whatever the reason behind it, they are witty nuggets of gold within the papers that poke fun at our leaders in a more creative way than the words printed on the pages.  

My grandmother and I are talking about different things, and the cartoon comes up.  She believed it was completely innappropriate and that the cartoonist should have apologized immediately for being so tasteless and thoughtless.  I admitted that I had not seen the cartoon yet, but I trusted her word and agreed that indeed the cartoonist would have to be more careful next time in what he drew.  I googled it later and actually did not believe it was as offensive as she and many black activists (as shown in their demonstrations this morning) thought it to be.  One thing kept going through my head just as it has since the media gobbled him up way back when he first won Iowa.  How much will the media be able to criticize him?  He represents so many things to so many people: for African Americans he is the realization for Dr. King's dreams, for young people he is the new JFK, and for the millions of people that voted for him in November, he represents the great change many in this country expect from his new administration.  Regardless of your political affiliation, he clearly has a great deal sitting on his shoulders in terms of expectations. One of our main values or goals as journalists is to carefully monitor and criticize the government.  Not to be bullies or the mean dog on the block, but to make sure the most powerful entity in this country stays in line with what our Constitution allows them to do.   Regardless of race or popularity, journalists must be allowed to monitor and criticize President Obama and his administration.  Yes he's popular, and charismatic, and well-spoken, but it doesn't remove him from the same scrutiny that we would have over any other president or politician.  I understand that his race will make it more difficult than past presidents to criticize because there will be that question of racial intentions or critical journalism.   

I know the next few months will be challenging in criticizing Obama because of the very temperate attitudes of different groups in this country.  Our jobs as journalists are not to cater to the majority's opinion but to keep tabs on the government.  And political cartoonists will continue to make fun of politicans and presidents.  America, it's time to grow some tougher skin and let us do our jobs.

Interview Skills a Must

My most recent story is about the effect of Valentine's Day on local businesses in a down economy. Ideally I wanted to do the story before the holiday and had even begun taping and setting up interviews, but not thinking it all the way through, realized not many managers would be able to talk to me during their busiest time of the year. So I postponed the story and readjusted it to make it timely and newsworthy for my audience.
I had a couple interviews, and most of the time they are very easygoing. I always arrive early so I can have time to set my camera up, do my research before going, and appear very friendly and professional so that my subjects know I am dedicated to telling their story. For this last interview I could tell from the moment that I arrived that it would be short and to the point without much interaction past answering some questions and getting the bare minimum of information. This made me anxious because I always look forward to the interview the most when I am about to do a story. So I made small mistakes: I stumbled over words, I placed the subject not too far from a window on a sunny afternoon, my lighting was off on the camera, etc. As I silently kicked myself as soon as she quickly left the vicinity, my immediate next thought was how I could make it better for next time. The main point is that preparation is essential in every situation and that as a reporter you should be able to take control as much as possible.
Although her body language and tone were clear indications that she would rather be somewhere else, it is my responsibility to of course remember a subject's time is precious and should not be wasted, but also set a tone myself. I can hear Greely already, telling me her framing is off and the lighting is bad, but I learned so much more than that on that day. You have the responsibility to set a tone for your own story. Yes their time is precious, but so is yours. Yes you are a student journalist, but you're still a journalist. I can't wait to do my next one!

Never Do an Event By Yourself

This week's story covered an event called Step Afrika.  I was really looking forward to the great NATS and video I could get of people stepping and dancing at the show.  I arrived early and set up an interview with the artistic director to ensure that I would get people coming in as well as a great soundbite from someone in charge.  There were so many things running through my mind that it made it difficult for me to perfect my work.  What I mean is that I was worried about being in focus, keeping the shots steady and long enough to edit, as well as meeting people who I could talk to after the show and audience members would be great interviews.  During the actual show it wasn't too hard because I could focus on the stage or audience reactions, but following the show got more challenging.  Trying to set up the camera and get people to talk and not get run over was when I wished I had another person.  During one of my best interviews, my batteries went out and I didn't even know it.  It was disappointing to say the least once I got back to editing, but the experience definitely was a learning experience.  I know each experience out with the camera one-man-bandstanding-it is preparing me for my real journalism career and knowing how to think fast on my feet.  An important lesson I learned from losing the interview is that you should always check your equipment, even if it means taking a few more minutes of someone's time.  I'm always so focused on being a convenience to the people I talk with while I should be just as concerned with how everything turns out.  You might have a great soundbite of someone, but if you're video is crooked or doesn't look presentable, then that great quote is worthless.  So thinking on my feet and perfecting my work in the field are my goals for next week.

Unpredictable At Every Corner

This week has been more challenging because of my situation next week.  I am going on a trip to D.C. with the National Association of Black Journalists, which is very exciting but also very daunting.  Anyway I was planning on completing both stories this week but of course, nothing can be predicted in this business.  An interview was canceled and rescheduled for this morning, but unfortunately I couldn't get a camera for the time slot.  As the woman told me that she could not reschedule (understandably, she is a florist and it was about Valentine's Day), tears welled up in my eyes and my mind searched for any reason for any other option to salvage my hard leg work that it took to even get an interview with her.  But I'm proud to say those tears never shed because within ten minutes I thought of a different angle and worked another time out for her.  

How to Find That Angle

As I finish my first package for class, it suddenly has hit me how hard it is to find angles for a story.  I guess it's not so much hard to do after everything has been gathered, but it's being out in the field and actually gathering enough material to cover more than one angle.  Great ideas popped into my head for my first story in terms of another angle I could take, but alas, I am in the business of pictures and video.  When a story lacks it, you lack your story.  I spent hours in the field doing interviews, shooting B-roll, and of course perfecting (or as close at it will come right now) my stand-up, but I don't think I was thinking about the different ways I could tell my story.  I don't mean using different equipment or anything like that, but that different angle that gets the meat to the audience but in a different way each time. 

One of my favorite columnists' from back home has a brilliant way of finding angles.  Her name is Desiree Cooper, and she writes for the Detroit Free Press.  I actually had the opportunity to go with her on a story once, and I watched as she gathered her information and used it to construct a well-crafted story that wasn't all the interesting to start with.  She didn't make anything up or jazz up the facts, but she did present the information in a way that was heartwarming and entertaining to her readers.  Ms. Cooper has had years in the business and uses the pen and paper as her instrument, but I want to use my skills and tools to craft stories in a way that keeps attention and shows the best of journalism.

My favorite thing about using the Internet to get my daily doses of journalism are to view slideshows.  I think these are great ways by newspapers to get the audience to interact with their work, and a good use of the Internet.  Although they aren't quite the same, I especially like the short videos the Detroit Free Press has on its site that sometimes uses video and narration or still pictures with narration and natural soundbites.  College football recruitment recently passed and the Free Press did a short video on some guys from area high schools that were excited about having the opportunity to not only play football, but to go to college as well.  I have never been a sports fan, but seeing these young athletes just tell a piece of their story and hearing the words of praise from their families and coaches made me feel inspired as well.  I think this is an example of great journalism because it touches everyone, and isn't that the goal of journalists?  For someone who isn't really interested in sports, it makes the person feel proud of these young athletes.  Although I am using my video in a different way, I think the papers set great examples of journalism in their videos as well.  The story was to the point, well thought out, and had a very humanistic side.  I want to be able to bring the great conversations I have with people to a larger audience and make them special to everyone.